Pride month is over, and
I keep thinking about Fritz’s photo albums.
I was thirteen or
fourteen when I first saw them.
At first, they looked
beautiful to me. Young men smiling at parties, in apartments, in bars, in
places I didn’t know but immediately wanted to understand. They looked alive in
a way that fascinated me. Handsome, free, secretive, close to each other. Like
they belonged to a world I was only beginning to realize might also be mine one
day.
Then the photos changed.
There were fewer of them.
The faces looked
different.
Tired.
Thinner.
Some were in hospitals.
Some had scars.
And then there was one
photo of Fritz with his boyfriend.
They were both still
handsome. That was the part that stayed with me. Even tired, even marked by
what was happening, they still looked like themselves. Before that photo there
were many of them together, and I loved looking at them because they looked so
happy. Then suddenly there was this last one.
I kept looking for more.
There were none.
That was the first thing
I asked.
“Why are there no more
photos of him?”
My father gestured for me
to stop talking, but I had already asked.
That was how I first
understood AIDS.
Not as a statistic.
Not as a history lesson.
As a man disappearing
from a photo album.
As a boyfriend who simply
stopped appearing.
As happy pictures turning
into hospital pictures, and then into gaps.
Fritz was the first
openly gay person I met when I was a kid. He was my mentor in a way. He taught
me about gay history, gay art, gay culture, and about a world I was hungry to
understand before I even had the language for all of it.
He was my father’s age. I
met him through my father. He was polite, kind, funny, calm, and a little
secretive. Usually he had this joyful energy, like somebody who had seen too
much but still knew how to laugh.
But he hated talking
about AIDS.
Whenever he did,
something in him changed.
He would start drinking.
A glass of whiskey, sometimes a beer. He smoked much more than usual. His
fingers kept playing with whatever was in front of him. He avoided eye contact.
His eyes got red. His voice became low.
It was like watching life
being pulled out of him.
Still, he answered me.
I think he understood
that I needed to know.
He told me about his
partner, the one from the photos, who died in the early 90s from AIDS-related
complications. They had been together for six years.
Six years.
That is a whole
relationship. A whole private language. A whole rhythm of life. A whole future
forming quietly between two people.
And then it ended.
He told me he lost five
close friends. More than a dozen friends in total. Men he knew from the gay
scene in Cologne and other places. Men who had been there, dancing, laughing,
flirting, making art, making jokes, making each other feel less alone.
Gone.
He also told me about two
friends who killed themselves because of the fear of having it.
I was a kid, and I was
horrified.
I had watched a
documentary that mentioned AIDS, but the documentary was not what scared me the
most. The photo album did. The confirmation did. The moment I realized that the
beautiful men in the photos were not just older somewhere, not just living
different lives, not just out of frame.
They were dead.
And the few who were
still alive had not simply survived untouched.
That is what I mean when
I say there is a hole in gay male history.
I don’t mean a small
absence.
I mean a black hole.
A void.
A break.
A place where people,
stories, bodies, lovers, jokes, apartments, bars, songs, paintings,
friendships, sex, knowledge, and whole possible futures were swallowed.
When people talk about
AIDS now, they often talk as if it is only a medical subject. Numbers,
treatment, prevention, awareness. All of that matters. Of course it matters.
But before it became
information, it was grief.
Before it became
something people could explain calmly, it was panic.
Before it became a poster
about testing, it was men watching their friends disappear.
It was partners sitting
in hospitals.
It was chosen families
becoming nurses.
It was funerals.
It was phone calls.
It was silence.
It was people being left
to die in shame because the world had already decided their lives were less
valuable.
This piece is about gay
cisgender men.
About our history, our sex,
our fear, our missing elders, and the wound AIDS left inside gay male life.
Not as a medical case
study.
Not as a statistic.
As something I inherited.
As something I still feel.
Gay pride should not only
be about glitter, slogans, and generic equality. I like beauty. I like glitter.
I like celebration. I like men being loud and alive and impossible to ignore.
But Pride also has to be
memory.
It has to be a kind of
memorial.
It has to teach history
to the young men who think freedom appeared by itself.
It has to teach history
to the people who wave a rainbow flag once a year and still know nothing about
what happened to us.
Because without history,
Pride becomes decoration.
And I do not want
decoration.
I want remembrance.
AIDS was not the first
erasure of gay male history. It was part of a longer pattern.
Before AIDS, there were
arrests. Laws. Raids. Killings. Camps. Criminalization. Men forced into
silence. Men punished for desire. Men whose lovers were called “friends” after
death because families could not bear to tell the truth. Men whose lives were
cleaned up, edited, softened, and made acceptable for people who never loved
them properly in the first place.
Gay men have disappeared
many times.
Sometimes through
violence.
Sometimes through law.
Sometimes through shame.
Sometimes through
families rewriting the story after the body was gone.
AIDS became another
rupture in that history. Another wipe out. Another place where gay men
vanished, and then the world tried to move on too quickly.
What was lost?
People, obviously.
Bodies.
Faces.
Names.
But also hope.
That is the part I keep
thinking about.
Hope was lost.
Artists were lost.
Activists were lost. Lovers were lost. Mentors were lost. Elders were lost.
Knowledge was lost. Beauty was lost. Men who could have taught younger gay men
how to live were gone before they had the chance to grow old.
I think about that a lot.
Gay men today should have
had more elders.
Not only survivors who
could teach us how to survive.
Men who could teach us
how to navigate the world.
There is a difference.
Survival is not the same
as living.
Survival teaches you how
to stay alive.
Navigation teaches you
how to move.
How to love.
How to choose.
How to protect yourself
without becoming only fear.
How to build a life that
is not just a reaction to danger.
I think we lost many of
those men.
Not all of them. Of
course not all. Some survived. Some are still here. Some carried the memory for
all of us, even when it was too heavy.
But there is still a
hole.
A large one.
I have felt it in strange
places.
Sometimes my friends and
I watch old gay porn or old horror films from the 80s, and if someone looks gay
and hot, we look him up. It sounds stupid maybe, but it becomes a strange
little ritual. You see a face. You wonder where he went. You wonder what
happened to him.
And then the internet
gives you the same sentence again and again.
Died of AIDS-related
complications.
After a while, it becomes
depressing in a way I don’t know how to explain.
A man is beautiful on
screen.
Alive.
Young.
Desired.
And then you search his
name and find the ending already written.
Died.
Died.
Died.
At some point it stops
feeling like individual tragedy and starts feeling like a pattern too large for
the mind to hold.
That is the thing about
generational trauma. You do not have to personally live through the original
disaster to inherit something from it.
I was alive during part of
that history, but I was too young to understand it.
I did not live through the
worst of it as a gay man.
I did not watch my lovers
get sick.
I did not bury my friends.
I did not sit in those
hospital rooms.
But I still inherited
something from it.
A fear.
A shadow.
A doom feeling that sits
somewhere behind sex.
Not always loudly. Not
always dramatically. Not enough to stop desire. Not enough to stop gay men from
being gay men. We still flirt. We still hook up. We still want who we want. We
still make bad decisions because somebody is too handsome and our bodies are
faster than our brains.
But the fear runs in the
back.
What if he is lying?
What if he thinks he is negative
but is not?
What if the condom
breaks?
What if I trust the wrong
man?
What if wanting someone
makes me stupid?
What if one moment of sex
becomes a life-changing thing?
These thoughts are not
always fair. They are not always medically current. They are not always
rational.
But inherited fear is not
rational.
It does not disappear
just because treatment improved.
It does not disappear
just because you know more than people knew before.
Today, HIV is not what it
was in the 80s or early 90s. Treatment has changed everything. A person with
HIV who is on effective treatment and has an undetectable viral load cannot
sexually transmit HIV. That matters. It should be said clearly, because stigma
kills too.
I do not want to write a
post that makes HIV-positive men sound dangerous.
They are not.
Many HIV-positive men
today are healthy, careful, informed, and probably more responsible than many
men who never think about their status at all.
But the emotional history
is still there.
The stigma is still
there.
The association is still
there.
The old fear still
appears in new rooms.
I have felt it in my own
sex life.
I try to be safe. I hate
that I have to think about it every time. I hate that even when I am horny and
want a man, another part of my mind has to become careful, calculating,
suspicious.
Once a condom broke.
I think I would have
completely freaked out if he had not freaked out first.
He was young. Eighteen.
It was his first time and it showed. He was topping me. He was clumsy and scared
and crying, asking why this had to happen on his first time.
The strange thing is that
his panic made me calmer.
I was scared too, but
suddenly I was not only the person afraid of risk. I was also the person being
feared.
He knew I had been with a lot of men. So in that moment, I was not
only thinking, “What if something happens to me?”
I also saw him thinking,
“What if something happens because of him?”
That is gay male sex
sometimes.
Desire and suspicion in
the same room.
Want and calculation.
Heat and fear.
It is not the whole
story, but it is part of the story.
And then there is the
stigma from outside.
The stupid, ugly, quiet
kind.
The kind nobody admits to
directly.
I once came out of an
airport toilet. There were several closed toilet cubicles in a row, maybe five
or six. I had gone in, peed quickly, and came out.
There were men waiting
outside.
One man was standing in
front of my cubicle, waiting to use it.
Then he saw me.
He saw that I looked gay.
Immediately, he moved
away and started waiting for another toilet.
Then the others followed.
My toilet stayed empty.
They kept waiting for
another one to open.
Nobody said anything.
They did not have to.
The message was obvious.
It was like I had
contaminated the space just by using it.
I have also heard people
ask if you can catch “the disease” from sharing a toilet after I came out of
one. Behind my back. As if I was not a person. As if being gay made my body
suspicious by default.
That is what I mean by
residue.
People may not say the old
things as openly anymore.
They may know better
words now.
They may be more careful
in public.
But something remains.
A smell of old stigma.
A hesitation.
A silence.
A step backward.
A toilet left empty.
For millennials
especially, I think HIV still hangs somewhere over gay male life. Not always
consciously. Not always in a way people can explain. But it is there.
A lingering essence.
A memory we did not
choose.
A fear passed down
through stories, images, warnings, jokes, sex education, documentaries, older
men’s faces, and photo albums with missing people inside them.
And this is why Pride
cannot only be about the present.
If Pride is only about
being accepted now, it becomes too shallow.
Acceptance without memory
is fragile.
Equality without history
is empty.
Visibility without grief
becomes performance.
I do not want gay male
history polished into something painless.
I do not want the past
cleaned up so it becomes easier to consume.
I do not want the men who
died to become background.
I do not want lovers to
be called friends.
I do not want partners to
disappear from obituaries.
I do not want gay men to
be remembered only when we are useful to a campaign, pretty enough for a
poster, tragic enough for a film, or funny enough for someone’s entertainment.
I want the raw reality
remembered too.
The fear.
The bodies.
The desire.
The hospitals.
The bars.
The sex.
The art.
The grief.
The rage.
The men who survived and
the men who did not.
When I think about Fritz,
I do not only think about sadness.
I think about awe.
He made it.
He carried it.
He stayed standing
somehow.
He had lost his partner,
his friends, and a part of his world, and still he was kind enough to answer
the questions of a horrified kid who kept asking why there were no more photos.
I understand now that
maybe I asked too much.
But I also think he knew
why I needed to ask.
I was trying to
understand where I came from.
Not biologically.
Historically.
Spiritually.
As a gay man.
I was looking at the
album and realizing that I belonged to a history full of beauty and loss at the
same time.
That is a strange
inheritance.
To know that your world
is full of desire, humor, art, sex, tenderness, glamour, danger, and grief.
To know that men before
you loved each other so hard in a world that kept trying to punish them for it.
To know that some of them
were arrested.
Some were killed.
Some were sent away.
Some were erased by their
families.
Some died in hospitals.
Some died at home.
Some died with their
lovers beside them.
Some died with nobody
saying what they really were to each other.
And some survived, but
carried the dead with them.
That is our history too.
Not only rainbow flags.
Not only dance music.
Not only pride slogans.
This too.
The missing men.
The gaps in the album.
The photo that becomes
the last photo without anyone knowing it at the time.
I keep thinking about
Fritz and his boyfriend.
I keep thinking about how
I looked for more pictures and found nothing.
I keep thinking about
that question.
“Why are there no more
photos of him?”
Maybe that is still the
question.
Why are there no more
photos of him?
Why are there no more
stories about him?
Why do people not know
his name?
Why did he not get to
become old?
Why did he not get to
become someone’s elder?
Why did so many gay men
disappear, and why are we expected to move on as if the disappearance did not
shape us?
This is not about nostalgia.
It is about making the history of gay cisgender men visible.
It is about refusing to
let the past become decorative.
It is about remembering
that Pride is not only a celebration.
It is also a memorial.
It is also a protest.
It is also a promise.
A promise that we will
not let gay men disappear from the album again.

The ig algorithm sent you my way for some reason, and being entranced by your beauty, your eloquence, your candor, I was let to your blog.
ReplyDeleteThis was the first post i read, will propably read more, because I am in awe of your writing.
So generous in detail without it getting repetitive or introverted. And your moving descriptions of incidents, I mean...
Sorry, I'm gushing. I never write comments anywhere, so I hope you aporeciate this one off :)
Even though our lives couldn't be more different, I was so touched by this piece.
And it made we wonder about all the experiences my sons may have, that I will have difficulty guiding them through, never having lived them.
So thank you for that.
And please keep writing!
S
Thank you for taking the time to write this. I really appreciate what you said about the writing, especially because this was your first post here. And I think simply being willing to wonder about experiences your sons may have that are different from your own already matters a lot. I’m glad this piece gave you something to think about. Thank you for reading.
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